![]() ![]() The bigger the band became, the more money there was for things most independent acts would deem unnecessary, such as outfitting the crew. Sub Pop / DGC Records / Courtesy of Hikki Vintage Blue Figure Crew Shirt (1993) Bieber’s grunge credentials were brought into question in an online backlash, but it was revealed by his stylist that the shirt actually belonged to Fear of God designer Jerry Lorenzo, who had it customized with his brand’s logo on the back. The tee found mainstream attention in 2015 when pop superstar Justin Bieber donned it for that year’s American Music Awards. Fans were given an opportunity to own some of the very beads pictured on the single’s sleeve through an IG giveaway by Fisher in 2020. Robert Fisher was again the man behind the famous artwork, juxtaposing photographs Cobain had taken of backlit lilies and a foil-wrapped heart-shaped box (a gift from Courtney Love) with scanned-in heart beads, which were then inverted and colorized red. It features an all-over heart stencil motif as well as two huge front and back graphics featuring the single’s art in bold contrasting inks. Sub Pop / DGC Records / Courtesy of Justin Reed Heart-Shaped Box (1993)Īlong with its trippy Anton Corbijn–directed music video, this tee for In Utero’s lead single, “Heart-Shaped Box,” was by far the most elaborately designed the band had ever put out. Jacobs’ version swapped the exed-out eyes of the original for his own initials. Aside from the debate over the Smiley’s creator, the graphic has also attracted recent legal controversy after it was used by Marc Jacobs to brand his “Redux Grunge Collection” in 2018. The graphic is often joined by the “Flower Sniffin’… Corporate Rock Whores” print on the back, itself a tongue-in-cheek “sell out” flip on the “Fudge Packin’.” reverse that was previously used on Nirvana’s tees. The image was first used for Nevermind’s launch party flier in 1991, and it has appeared on official Nirvana T-shirts from 1992 onwards. While the graphic is often credited to Cobain, it was actually the band’s art director Robert Fisher who first sketched out the worse-for-wear-looking smiley face as a way of subverting the classic yellow and black used as a symbol for the acid house generation of the late ’80s. Perhaps the most iconic symbol associated with the band, the “Smiley” has appeared on just about anything that can hold a print or stitch. Sub Pop / DGC Records / Courtesy of Hikki Vintage Smiley (1992)
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